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Browse: Home / SJC Newsletter, SJC Programming / disAbility and the Arts
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disAbility and the Arts

By barbers on January 29, 2013

St. John’s College, the UBC School of Music and UBC Access and Diversity present a series exploring barriers in music and art:

All events will be held in the Fairmont Social Lounge at St. John’s College UBC and are free and open to the public.
**Exception is our signature event featuring Nobuyuki Tsujii.

Beyond the Screen: disAbility and the Arts

In many orchestras and ensembles, musicians audition from behind a screen to prevent discrimination on the basis of gender, race, or disability. How do prejudices about disabled musicians affect their reception and chances for success? How can we re-imagine the teaching of music in ways that account for different approaches to learning and performance?   What are the responsibilities of the university when it comes to students with different learning needs?

Download poster

poster

 

 


Monday, March 25 | 5:00 pm

“Measuring the Best?  A conversation about Merit and the University”

This conversation will be the final in a series of events organized around the question of how competitions work (and don’t work) to identify the “best.” In particular, this event gathers a number of scholars and administrators from UBC to discuss the uses and effects of competitive ranking and evaluation at universities, and how competition as a means of evaluating merit and excellence relate to issues of gender, race, and historical issues of equity, discrimination, and diversity.

Participating discussants include:

Prof. Anne Condon, Head, Department of Computer Science, UBC

Prof. Rachel Kuske, Senior Advisor to the Provost on Women Faculty, Department of Mathematics, UBC

Prof. Jim Rupert, UBC School of Kinesiology

Prof. Patricia Vertinsky, Distinguished University Scholar, UBC School of Kinesiology

Prof. Henry Yu, Principal, St. John’s College, Department of History, UBC

Moderated by Stefan Honisch, PhD Candidate, Education

This conversation is the concluding moment of the series of events organized   around the theme “Beyond the Screen: disAbility and the Arts.”

Eventbrite - Measuring the Best?  A conversation about merit and the university


Thursday, February 28 | 7:30 pm
A debate:  “The Merits of Competition”


Thursday, March 7 | 7:30 pm
An Introduction:  “The Repertoire of Chopin and Debussy for the Beginner”
The SJC Performing Arts Committee will introduce these composers in a combination of talk and piano performances.


Friday, March 8 | 5:00 pm
A Fireside Chat with Mr. Nobuyuki Tsujii
This will be a Q & A format and an opportunity for a more intimate conversation with this talented pianist.


Sunday,  March 10 | 2:30 – 5:30 pm
A workshop: “Learning Music with a Learning Disability:
Gifts and Challenges”

Workshop Brochure

Workshop Description

Beethoven, Caruso, Lennon—all were or may have been dyslexic, yet they were among the most celebrated musicians in Western history. High achievement in music is entirely possible for students with learning disabilities, but many encounter daunting challenges, particularly in the field of classical music with its emphasis on rapid reading and performance of written notation. This workshop will introduce participants to research and educational strategies that can help support and encourage learning disabled music students.

While our findings emerge primarily from our current research with learning-disabled opera singers, the educational strategies and principles we discuss can be equally useful in supporting instrumental music students and other students with learning disabilities.

First, we explore how remarkably gifted young opera singers who are also learning disabled cope and succeed in a program that is artistically prestigious and academically rigorous, requiring them to synthesize vocal, linguistic, music and text reading, mathematical, aural, spatial, and dramatic abilities. Through interactive exercises, participants will experience some of these challenges for themselves. What is it like to perform while simultaneously moving around a stage, remembering music and words, coordinating movements with other onstage performers, and paying attention to a conductor? What do dyslexic musicians “see” when they look at a score, and how can instructors help make score-reading a gateway rather than a barrier to musical success?

Finally, we discuss recent research suggesting that learning disabilities such as dyslexia may be a by-product of unrecognized strengths in other cognitive tasks, and how instructors can recruit these hidden strengths to help students overcome their challenges and fully realize their gifts.

Be prepared to participate!

Facilitators

Professor Nancy Hermiston
Canadian-born lyric coloratura Nancy Hermiston has performed throughout Europe and North America. Parallel to her extensive singing career, Miss Hermiston worked as voice teacher, stage director, and Co-coordinator with the University of Toronto’s Opera and Performance Divisions. In 1995 she joined the University of British Columbia’s School of Music as the Head of the Voice and Opera Divisions, where she established the UBC Opera Ensemble. In 2004 Prof. Hermiston was named the UBC University Marshal. In 2008 UBC awarded her the Dorothy Somerset Award for Performance and Development in the Visual and Performing Arts. She was also honoured with a Killam Teaching prize in 2010. In 2011 she was awarded the prestigious Rubie Award by Opera Canada. Miss Hermiston is also a favourite guest for master classes throughout Canada, China and Germany. Her UBC Opera Ensemble tours regularly to the Czech Republic, Germany, Ontario and throughout British Columbia.

Dr. Laurel Parsons
Dr. Parsons has taught aural skills and music theory at Queen's University, the University of Oregon, UBC, and Kwantlen Polytechnic University. Prior to completing her Ph.D. in Music Theory at UBC, she worked as a private piano and theory teacher, vocal coach, collaborative pianist and harpsichordist for many years. Her avid interest in musical neuroscience led to her completion of a Certificate of Training from the Robert F. Unkefer Academy of Neurologic Music Therapy at Colorado State University. In recent years she has had the privilege of tutoring gifted learning-disabled musicians privately in aural skills and sight-singing.

Dr. Marion Porath is a Professor of Educational Psychology and Special Education at The University of British Columbia, with a concentration on the development and education of highly able learners. She was awarded the Killam Teaching Prize in 1998. She is the author of numerous articles, chapters, and books and has received grants to study artistic, narrative, and social giftedness; gifted and gifted/learning disabled students’ understanding of their own learning; the co-occurrence of operatic giftedness and learning disabilities; and adolescent and adult development of highly intellectually gifted learners.


Internationally acclaimed pianist Nobuyuki Tsujii comes to UBC!
Sunday, March 10  2013 | 7:30 pm | Roy Barnett Recital Hall (inside UBC School of Music Bldg.)


 


 

Posted in SJC Newsletter, SJC Programming | Tagged Disability and the Arts, Newsletter January 2013, Tsujii

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